![what word does the author use to emphasize the concept of outer space as an eternal frontier what word does the author use to emphasize the concept of outer space as an eternal frontier](https://i.ytimg.com/vi/i6aMT94edsU/maxresdefault.jpg)
According to Bradley, immediate feeling is divided at a later stage by thought and analysis. Bradley’s concept of “immediate experience,” the postulate of the immediately given which allows him to elaborate his theory of knowledge. This concern can be traced back to Eliot’s early training in philosophy and his rejection of F. But why should the terms “theory” and “song” be antithetical? If Eliot’s essays have largely contributed to his reputation as a critic, is it fair to separate “the man who ” and “the mind which ” 1, or to deny the existence of theory or aesthetic considerations as an undertone, or under-tune, of his poetry? The question of the relation between thought and feeling in Eliot’s poetics is too complex to be thoroughly analysed in this article. This statement could also imply that, as far as theory is concerned, only “talks” should be taken into account and that “the rest”– poetry – “is silence”, or a pure song whose capacity to affect the senses should be enough to silence the mind. “Talk” appears as a supplement to poetry, as a provisional outlet when the poet’s ability to “sing” fails him or when the explanation forced upon him by a reader in need of clarification leads him to resort to discourse. But this declaration, along with the line of thought developed in these lectures, also suggests a clear separation between critical discourse and poetic writing. This declaration is a way for him to question the validity of his own attempt to theorize about poetry, in a dismissive gesture meant to reassert his identity as a poet. In many of his essays, Eliot tried to define his poetics and to set his aesthetic standards.
WHAT WORD DOES THE AUTHOR USE TO EMPHASIZE THE CONCEPT OF OUTER SPACE AS AN ETERNAL FRONTIER SERIES
“ the more perfect the artist, the more completely separate in him will be the man who suffe (.)ġ“If, as James Thomson observed, ‘lips only sing when they cannot kiss,’ it may also be that poets only talk when they cannot sing.” This is the conclusion of Eliot’s series of lectures delivered at Harvard University during the winter of 1932-33 and published as The Use of Poetry and the Use of Criticism (Eliot, 1950 156).